One love to the Baltimore carpetbaggers sauced out in Old Bay drapery. One love to the Boh sippers and the dope feens leanin' on St. Paul.
Cash Money tributes are more played out than hashtag punchlines and Comme des Fuckdown longsleeves. But in that deluge of superficial aesthetic mining and cynical nostaljack bait, few attempted to make something that actually sounded like vintage Cash Money. T.S.O. Tadoe, who made some noise in 2015 w/ "YSN," runs with Cash Moneys public-housing thematics over a bed of that anime-fight-scene woosh Mannie often used (e.g. "Trigga Play"); Noz could probably tell you what synth he used if you study at the Red Bull Music Academy.
VERDICT: Better than Tyga's "Cash Money." Not as good as "Whores In This House."
As a teenage Noz stan, I co-opted his single-minded hatred of Birdman. Noz regarded Birdman as the Big Tymers' fatal flaw, kind of like how El-P's rapping, beats, concepts, beard, red hair, wardrobe choices, and existence are the fatal flaw of RTJ. He finally understood what Birdman brought to the table after a magical weekend listening to Poncho Sanchez with Lil' B, but he never explained what caused the sudden about-face. Perhaps it was a mix of Brandon's charisma and the realization that Birdman's sneer and lavish no-nonsense raps enabled Mannie's tomfoolery. Ya boy been listening to a bit of Big Money Heavyweight 'cause it's one of two Big Tymers albums on Spotify, and it dawned on me that Mannie and Baby don't quite get their due in the annals of rap duos. Big Tymers >>> Nice & Smooth >>> Group Home >>> Black Star.